BACH, Johann Sebastian (1685-1750)

• BACH, Johann Sebastian (1685-1750)
  • The Complete Chorales, BWV.2~438 (M.Yaskawa)*
  • Trio Sonata No.1, BWV.525 (arr. for oboe and harpsichord) (L.Thompkins) *
    • P.1; P.2; P.3.
  • Trio Sonata No.2 in C, BWV.526 - 1.Vivace 2.Largo 3.Allegro (174k) (A.S.Lofgren)
  • Trio Sonata No.4, BWV.528 (arr. for oboe and harpsichord) (L.Thomkins) *
    • P.1; P.2; P.3.
  • Trio Sonata No.5, BWV.529 (arr. for flute and harpsichord) (L.Thomkins) *
    • P.1; P.2; P.3.
  • Preludes and Fugues, BWV.532-552 (D.Lampe)*
    • In D, BWV.532 (41k);
    • In E-, BWV.533;
    • In G, BWV.541 (33k);
    • In A-, BWV.543 (34k);
    • In C-, BWV.549;
    • In Eb, BWV.552 (St. Ann's) (52K)
  • Toccata & Fugue in D, BWV.532 (49k) (M.Fabbri)
  • Fugue in G-, BWV.542 (N.B.Kolin)
  • Fantasia and Fuga in G-, BWV.542 (H.Heldstab)*
  • (*) Prelude in C-, BWV.546
  • Prelude and Fugue in C, BWV.547 (44k) (B.Marks)
  • Prelude and Fugue in E-, BWV.548 (T.Nagata)*
    • Präludium (70k); Fuge (95k).
  • Prelude and Fugue in Eb, BWV.552 (52k) (Y.Nakatani)*
  • Eight Little Preludes and Fugues for organ, BWV.553-560 (F.Raborn)*
    • In C, BWV.553;
    • In D-, BWV.554;
    • In E-, BWV.555;
    • In F, BWV.556;
    • In G, BWV.557;
    • In G-, BWV.558;
    • In A-, BWV.559;
    • In Bb, BWV.560.
  • Fantasie and Fugue in A-, BWV.561 - Fantasie (C.Wiens) 1.Tocatta; 2.Adagio; 3.Fugue.
• Toccata, Adagio & Fugue in C, BWV.564 (49k) (K.W.Whitcomb)
• (*) Toccata, Adagio and Fugue in C, BWV.564 - Adagio
• Toccata (31k) and Fugue in D-, BWV.565*
• Toccata in D-, BWV.565 - Fugue (for brass) (35k) (M.A.Hernandez) Toccata and Fuga in E, BWV.566 (32k) (Y.Kajii)*
• Praeludium in G for organ, BWV.568 (H.Heldstab)
• (*) Fugue No.2 in C-, BWV.575*
• Fugue in G, BWV.577 (H.Heldstab)*
• (*) Little Fugue in G-, BWV.578*
• Passacaglia in C-, BWV.582 (37k) (M.Fabbri)
• Passacaglia and Fugue in C-, BWV.582 (48k) (K.W.Whitcomb)*
• Pastoral in F, BWV.590 (61k) (M.Fabbri)
• Organ Concerto in A (after Vivaldi), BWV.593 (K.Lialiambis/M.Weimer)*
  • 1.Allegro; 2.Larghetto e Spiritoso; 3.Allegro.
• 2 Part Inventions, BWV.772a-786 (mostly by B.Travis)
  • (*) No.1 in C;
  • No.2 in C-;
  • No.3 in D;
  • No.4 in D-;
  • No.5 in Eb;
  • No.6 in E;
  • No.7 in E-;
  • (*) No.8 in F;
  • No.9 in F-;
  • No.10 in G;
  • No.11 in G-;
  • No.12 in A;
  • No.13 in A-;
  • No.14 in Bb;
  • No.15 in B-.
• 3 Part Inventions (Sinfonias), BWV.787-801 (B.Travis)
  • No.1 in C;
  • No.2 in C-;
  • No.3 in D;
  • No.4 in D-;
  • No.5 in Eb;
  • No.6 in E;
  • No.7 in E-;
  • No.8 in F;
  • No.9 in F-;
  • No.10 in G;
  • No.11 in G-;
  • No.12 in A;
  • No.13 in A-;
  • No.14 in Bb;
  • No.15 in B-.
• Duet No.1 in E-, BWV.802 (D.Jao)*
• Duet No.2 in F, BWV 803 (D.Jao)*
• Duet No.3 in G, BWV.804 (D.Jao)*
• Duet No.4 in A-, BWV.805 (D.Jao)*
• English Suite No.1 in A, BWV.806 - Prelude (H.de Bruin)
• English Suite in G- (J.Abrams)*
  • Prelude;
  • Gigue
• French Suites, BWV.812-817 (J.Sankey)*
  • No.1 in D-;
  • No.2 in C-;
  • No.3 in B-;
  • No.4 in Eb;
  • No.5 in G;
  • No.6 in E.
• French Suite No.2 in C-, BWV.813 - Minuet (B.Duke)
• French Suite No.3 in B-, BWV.814 - Gigue (B.Duke)
• Partitas, BWV.825-830 (J.Sankey)*
  • No.1 in Bb;
  • No.2 in C-;
  • No.3 in A-;
  • No.4 in D;
  • No.5 in G;
  • No.6 in E-.
• Partita No.1 in Bb, BWV.825 - 1.Praeludium and 7.Gigue (W.B.Elmer)
• (*) Partita No.1 in Bb, BWV.825 - 7.Gigue
• (*) Partita No.2 in C-, BWV.826 - 1.Sinfonia (Arr.)*
• Well Tempered Clavier, Book.I - BWV.846-869 (M.Reyto)*
  • Prelude No.1 in C; Fugue No.1 in C
  • Prelude No.2 in C-; Fugue No.2 in C-
  • Prelude No.3 in C#; Fugue No.3 in C#
  • Prelude No.4 in C#-; Fugue No.4 in C#-
  • Prelude No.5 in D; Fugue No.5 in D
  • Prelude No.6 in D-; Fugue No.6 in D-
  • Prelude No.7 in Eb; Fugue No.7 in Eb
  • Prelude No.8 in Eb-; Fugue No.8 in D#-
  • Prelude No.9 in E; Fugue No.9 in E
  • Prelude No.10 in E-; Fugue No.10 in E-
  • Prelude No.11 in F; Fugue No.11 in F
  • Prelude No.12 in F-; Fugue No.12 in F-
  • Prelude No.13 in F#; Fugue No.13 in F#
  • Prelude No.14 in F#-; Fugue No.14 in F#-
  • Prelude No.15 in G; Fugue No.15 in G
  • Prelude No.16 in G-; Fugue No.16 in G-
  • Prelude No.17 in Ab; Fugue No.17 in Ab
  • Prelude No.18 in G#-; Fugue No.18 in G#-
  • Prelude No.19 in A; Fugue No.19 in A
  • Prelude No.20 in A-; Fugue No.20 in A-
  • Prelude No.21 in Bb; Fugue No.21 in Bb
  • Prelude No.22 in Bb-; Fugue No.22 in Bb-
  • Prelude No.23 in B; Fugue No.23 in B
  • Prelude No.24 in B-; Fugue No.24 in B-
• Well Tempered Clavier - Book.I
  • Prelude No.2 in C- (M.Messiter)*
  • Prelude No.3 in C (M.Messiter)*
  • Fugue No.3 in A (M.Dale)
  • Fugue No.4 in C#- (Transp. in C- for brass by J.Harris)
  • (*) Prelude No.6 in D-
  • (*) Fugue No.10 in E-
  • Prelude No.11 in F
  • Prelude No.14 in F#-
  • Prelude No.15 in G
• Well Tempered Clavier - Book.II
  • Prelude No.2 in C-, BWV.871a (J.B.Weir)*
  • Fugue No.21 in Eb (P.Drum)
  • Prelude No.24 in B-, BWV.893 (G.M.Aguirre)
• Fugue in A-, BWV.895 (T.Koenigshofen)
• Chromatic Fantasia and Fugue (40k) (J.Sankey)*
• Fantasia in C-, BWV.906 (H.Heldstab)*
• Toccatas, BWV.910-916 (J.Sankey)*
  • In F#;
  • In C-;
  • In D;
  • In D-;
  • In E-;
  • In G-;
  • In G.
• Fugue in D-, BWV.948 (H.Heldstab)*
• Fugue in C, BWV.953 (H.Heldstab)
• Italian Concerto, BWV.971 (A.Hut)
  • Allegro; Largo; Presto.
• Goldberg Variations, BWV.988 (Complete 142k) (J.Sankey) *
• Goldberg Variations, BWV.988 (N.Palermo) *
  • Aria; No.1; No.2; No.3; No.4; No.5; No.10; No.15.
• Goldberg Variations, BWV.988 (Free arr.) (M.Fabbri) *
  • Aria; Var 1; Var 2; Var 3; Var 4; Var 5; Var 6; Var 7; Var 8; Var 9; Var 10; Var 11; Var 12; Var 13.
• Capriccio for his departing Brother - Fugue in Imitation of a Posthorn in Bflat, BWV 992 - 6th and final movement (J.S.Abrams)*
• Suite in E- for lute, BWV.996 - Bourrée (M.Tharp)
• Prelude, Fugue, and Allegro in Eb for Solo Lute, BWV.998 (D.Grossman)*
  • 1.Prelude; 2.Fugue; 3.Allegro.
• Prelude, Fugue & Allegro in Eb, BWV.998 (M.Fabbri)*{+}
  • 1.Prelude; 2.Fugue; 3.Allegro.
• Fugue for lute in G-, BWV.1000 (transp. for guitar in A-) (R.H.Czwiertnia) 1.Adagio; 2.Fugue; 3.Siciliano; 4.Presto.

Partita No.1 in B-, BWV.1002 - Tempo di Bourrée (M.Weimer)

Partita No.2 in D-, BWV.1004 (D.Grossman)

• 1.Allemande; 2.Courante; 3.Sarabande; 4.Gigue; 5.Chaconne.

No.2 in D-, BWV.1004

• 5.Chaconne (36k) (K.Naversen)*
• Busoni's Chaconne and Variations (60k) (A.L.T.Lopes)*

Chaconne for the Lute in D-, BWV.1004 (37k) (R.H.Czwiertnia)*

Sonata No.3 in C, BWV.1005 (D.Grossman)

• 1.Adagio; 2.Fugue; 3.Largo; 4.Allegro Assai.

Partita No.3 in E, BWV.1006 (D.Grossman)

• 1.Prelude; 2.Loure; 3.Gavotte en Rondeau; 4.Minuet; 5.Bouree; 6.Gigue.

(*) Partita No.3 in E, BWV.1006 - Prelude*

No.3 in E, BWV.1006 (Solo violin patch not used) (V.Phillips)

• 1.Preludio; 3.Gavotte en Rondeau

Suites for unaccompanied cello

• No.1 in G, BWV.1007 (D.Grossman)
  • 1.Prelude; 2.Allemande; 3.Courante; 4.Sarabande; 5.Minuet; 6.Gigue.
• No.2 in D-, BWV.1008 (D.Grossman)
  • 1.Prelude; 2.Allemande; 3.Courante; 4.Sarabande; 5.Minuet; 6.Gigue.

Partita in A- for Solo Flute, BWV.1013 (D.Grossman)

• 1.Allemande; 2.Courante; 3.Sarabande; 4.Bourée;

Sonata in G-, BWV.1020, (arr. for flute and orch.)*

• P.1; P.2; P.3.

Violin concerto in A-, BWV.1041 (Complete) (86k) (D.Gewissler) 1.Allegro (42k) (M.Weimer)*

Double Concerto in D- for Two Violins, BWV.1043 (Complete) (60k) (T.Walter)*

(*) Double Concerto in D- for Two Violins, BWV.1043 - 1.Vivace (arr. for three keyb.)*

Brandenburg Concertos

• No.2 in F, BWV.1047 (109k) (B.Behnke)*
• No.2 in F, BWV.1047 (S.Vitalich)*{+}
  • 1.Allegro moderato (77k); 2.Andante; 3.Allegro assai.
• No.3 in G, BWV.1048 (A.Kuriyama)*
  • 1.mov (115k); 2.Adagio (124k)
• No.3 in G, BWV.1048 (141k) (C.Sandberg)*
• No.3 in G, BWV.1048 (198k)
• No.4 in G, BWV.1049 (L.B.Thompkins/R.H.Czwiertnia) *
  • 1.Allegro (98k); 2.Andante; 3.Presto.
• No.5 in D, BWV.1050
  • 1.Allegro (90k); 2.Affetuoso; 3.Allegro (59k).
• No.6 in Bb, BWV.1051
  • 1.Allegro; 2.Adagio ma non troppo; 3.Allegro (84k) (D.R.Hickman)

Concerto in D-, BWV.1052 (P.Nash)*

• 1.Allegro (69k); 2.Adagio; 3.Allegro (77k).

Concerto No.3 in D, BWV.1054 - 1.Allegro (77k) (J.Abrams)

Piano Concerto in F-, BWV.1056 - 2.Largo (K.Naversen)

Concerto in G- BWV.1058 - 1.- Cembalo und Orchestra (M.A.L.Maia)

Concerto for 2 Harpsichords, BWV.1060 - P.1 (39k) (G.W. Van Cleef/M.Weimer)*

Concerto for 4 Harpsichords, BWV.1065 - P.1 (61k) (M.Messiter)*

Suite No.2 in B-, BWV.1067 (P.&B.Párkányi)

• Ouverture (64k); Rondo; Sarabande; Bourrée; Polonaise; Menuet; Badinerie.

Suite No.2 in B-, BWV.1067

• Badinerie (V.Langfield/J.Summers) Air (on the G String) (M.Yaskawa)*
• Air (on the G String) (L.Juan)*
• Air (on the G String) (D.Ahlin)
• Gigue (36k) (D.Ahlin)

(Enigmatical) Canon, BWV.1073 - arr. Ward Swingle (M.Weimer)*

The musical Offering, BWV.1079 - Ricercare a 6 voices (U.Werner)

The Art of the Fugue, BWV.1080

• Contrapunctus (R.H.Czwiertnia) *
  • No.1; No.2; No.3; No.4 (31k); No.5;
  • No.6; No.7; No.8 (47k); No.9; No.10;
  • No.11 (51k);
• (A.S.Lofgren)*
  • Contrapunctus 12 rectus; Contrapunctus 12 inversus;
  • Contrapunctus 13 rectus; Contrapunctus 13 inversus. (Coming soon)
• Canons (R.H.Czwiertnia)*
  • Canon in Hypodiapason (Canon alla Ottava)
  • Canon alla Decima Contrapunto alla Terza
  • Canon alla Duodecima in Contrapunto alla Quinta
  • Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu.
• Contrapunctus No.4 (T.Koenigshofen)*
• Canon in Hypodiapason (Canon alla Ottava)*
• Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu*
• Contrapunctus No.14 - The Last Unfinished Fugue (A.S.Lofgren)*
• Contrapunctus 14 Motto theme by D.F.Tovey (68k) (J.M.Unger)

Minuet in G from the Anna Magdalena Notebook (Appendix 120) (C.McKee/M.Weimer)*

The Anna Magdalena Notebooks (H.-G.Uszkoreit) *
The 2nd and 3rd of the 3 colls. of kbd. pieces by J.S.Bach, C.Petzold, and anon. comp., known as Klavierbüchlein. They were for the instruction of Bach's 2nd wife Anna Magdalena. [CODoM]

• 1 (42k); 2 (60k); 3; 4;
• 5; 6; 7; 8a; 8b; 9;
• 10; 12; 13; 14;
• 15; 16; 17; 18; 19;
• 20; 21; 22; 23; 24;
• 25; 27; 28; 29;
• 30; 31; 32; 33; 34;
• 35; 36; 37;
• 40; 41.

• (*) Arioso*

SACRED MUSIC

• 371 Chorales - Complete! (M.Yaskawa)*
  
• Cantatas
  • BWV.1 - Wie schön leuchtet der Morgenstern (final choir) (F.Zwinkau)
  • BWV.4 - 2-3 (M.Gargiulo)
  • BWV.8 (M.Gargiulo)
  • BWV.29 'Wir danken dir, Gott, wir danken dir' - 1.Sinfonia (48k) (J.S.Abrams)*
  • BWV.29 'Wir danken dir, Gott, wir danken dir' - 1.Sinfonia (41k) (B.Behnke)*
  • BWV.68 - Mein gläubiges Herz frohlocket (M.Weimer)
  • BWV.78
    • Duet 'We hasten with faint, but eager footsteps...' (R.M.Izumi) Duet 'We hasten with faint, but eager footsteps...' (40k) (H-G.Uszkoreit)
  • BWV.80 - Ein' feste Burg ist unser Gott (main Choral only) (49k) (T.Baucken)
  • BWV.140 - Wacht Auf, ruft uns die Stimme (M.Weimer)
  • 'Christmas', BWV.142 - 1st and last part (32k) (B.Behnke)*
  • BWV.172 (T.Baucken)
    • 1.Coro (main) (48k); 6.Choral (final)
  • BWV.208 - Sheep May Safely Graze (M.Weimer)
  • BWV.650 - Kommst du nun, Jesu, vom Himmel herunter (P.De Matthaeis)
  • Kyrie, Gott Vater in Ewigkeit! Chorale Prelude BWV.669 (R.L.Junchaya)
  • (*) Jesu, Joy of Man's Desiring*
  • Jesu, Joy of Man's Desiring (A.J.Krusz)*
  • Jesu, be thou here beside us (M.Weimer)
• Chorales (G.Sitter)
  • No. 1; 2; 3; 4; 5; 7; 8; 9; 10;
  • 21; 22; 23; 24; 25; 26; 27; 28; 29; 30;
  • 31; 32; 33; 34; 35; 36; 37; 38; 39; 40.
• Mass in B-, BWV.232 (D.Siu)
  • 1.Kyrie eleison (71k)
  • 2.Christe eleison (32k)
  • 3.Kyrie eleison (34k)
  • 4.Gloria (85k)
  • 5.Laudamus te
  • 6.Gratias agimus tibi
  • 7.Domine Deus (37k)
  • 8.Qui tollis
  • 9.Qui sedes
  • 10.Quoniam
  • 11.Cum sancto spiritu (84k)
  • 12.Credo
  • 13.Patrem omnipotentem (33k)
  • 14.Et in unum
  • 15.Et incarnatus & Crucifixus (35k)
  • 16.Et resurrexit (71k)
  • 17.Et in spiritum sanctum
  • 18.Confiteor (69k)
  • 19.Sanctus (88k)
  • 20.Osanna in excelsis (67k)
  • 21.Benedictus
  • 22.Agnus Dei
  • 23.Dona nobis pacem
• Mass in B-, BWV.232 - Dona nobis pacem (Final choir of the Agnus Dei) (F.Zwinkau)
• Magnificat, BWV.243
  • II. Et exultavit (C.L.McDonald)*
  • IX. Esurientes implevit (R.M.Izumi)
  • XI. Sicut locutus est (T.Baucken)
• The Passion According to St. Matthew, BWV.244
  • Blute nur, du liebes Herz (C.L.McDonald)*
  • Dich mein Gott (39k) (C.L.McDonald)*
  • Gebt mir meinen Jesum wieder (J.Westhues)
  • Erbarm' dich, Mein Gott (54k) (M.Yaskawa)*
  • O Haupt voll Blut und Wunden (K.W.Whitcomb)*
  • Herzliebster Jesu from The St. Matthew Passion (K.W.Whitcomb)
• The Passion According to St. John, BWV.245
  • Arie Ach, windet euch nicht so, geplagten Seelen (B.Alexander)
• Motette 'Jesu meine Freude', BWV.227 - Part 6: Chorus-fugue 'Ihr aber seid nicht fleischlich'
• Motet 'Singet dem Herrn ein neues Lied' (C.Delavallée)
  • 1.Singet dem Herrn (30k); 2.Wie sich ein Vater erbarmet; 3.Alles was Odem hat.
• Weinachts-Oratorium, BWV.248 - Herrscher des Himmels (M.Borroni)
• O Jesu, wie ist dein Gestalt - BWV.1094 (D.B.Mosier)
• Durch Adams Fall ist ganz verderbt - BWV.1101 (D.B.Mosier)
• Als Jesu Christus in der Nacht - BWV.1108 (D.B.Mosier)